jo saunders; FILM

The day after tomorrow

lighting,
i feel that this was vital in the production of this trailer because this really did portray the theme, mood and genre of this film / movie
Birds eye view,
i liked this part of the trailer because it instantly drew me in as the viewer and made me feel as though i was there, right then.
Cropped Clips,
this kept my attention, i felt as though i didn't want to look away because i may miss something. it was emotional yet it still had action to it
Pan shot in office & close ups,
this showed the seriousness of the moment, it was as if everything was hanging on the thread of this moment / decision that needed to be made by all the staff members that appeared to be part of some high assosciation, government or commitee
Birds eye view of helicopter,
the rush needed for this moment was captured,
over the sholder (hug and the kiss),
the moment n this scene was capured so wonderfully... i became tearful at this moment beacuse the husband and wife embraced a deep meaningful hug before the husband leaft to then go and rescue there child, and there was a possibility that the husband may not make it back alive let alone save their child
Dolly / low-angle shot.
this was when the water gusshed towards the doors of what seemed to be the public library, this was closterphobic! because iot looked as though it can towards me!!.. i felt enclosed, vunerable, and hopeless although i was only watching it on the OHP screen and still sat in my seat.
jadine watkis
WAT09111520
[back date: 18-09-09]